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Brahms_Johannes_-_8_Lieder_und_Gesange_Op.59_No.4_-_Nachklang

pental

1:49	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	9	8	6	77%
	32	8	12	6	96%
Voice	13	0	3	6	75%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	9	8	6	77%
	32	8	12	6	96%
Voice	13	0	3	6	75%

François Couperin 1er Ordre - La Milordine

pental

1:45	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	3	100%
		27	2	7	3	70%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	3	100%
		27	2	7	3	70%

Elisabeth Jacquet de la Guerre Cannaris

pental

1:54	Est. Play Time
40	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	7	7	6	91%
		27	3	10	6	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	7	7	6	91%
		27	3	10	6	97%

Elisabeth Jacquet de la Guerre Sarabande

pental

1:36	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	8	5	6	96%
		20	3	5	6	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	8	5	6	96%
		20	3	5	6	98%

Elisabeth Jacquet de la Guerre Allemande

pental

2:07	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	7	7	6	98%
		28	2	8	8	79%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	7	7	6	98%
		28	2	8	8	79%

Brahms_Johannes_-_8_Lieder_und_Gesange_Op.59_No.4_-_Nachklang

pental

1:49	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	9	8	6	77%
	32	8	12	6	96%
Voice	13	0	3	6	75%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	9	8	6	77%
	32	8	12	6	96%
Voice	13	0	3	6	75%

Elisabeth Jacquet de la Guerre 2e Courante

pental

1:30	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	7	4	6	100%
		23	0	4	5	80%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	7	4	6	100%
		23	0	4	5	80%

J.P. Rameau, Suite en Sol, Les Sauvages

pental

1:46	Est. Play Time
80	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	0	6	5	100%
		24	9	6	6	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	0	6	5	100%
		24	9	6	6	93%

Brahms_Johannes_-_5_Lieder_Op.47_No.3_-_Sonntag

pental

1:57	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	16	26	2	3	91%
	19	9	2	5	96%
Singstimme Voice	10	0	0	4	80%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	16	26	2	3	91%
	19	9	2	5	96%
Singstimme Voice	10	0	0	4	80%

Aria_K32

pental

2:03	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	5	100%
		17	7	2	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	5	100%
		17	7	2	4	100%

Brahms_Johannes_-_5_Lieder_Op.47_No.3_-_Sonntag

pental

1:50	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	16	26	2	3	91%
	19	10	2	5	96%
Singstimme Voice	10	0	0	4	80%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	16	26	2	3	91%
	19	10	2	5	96%
Singstimme Voice	10	0	0	4	80%